This overview summarises the typical flow of industrial ceramic glazing. Each stage determines the next: poor body preparation can affect application; a poorly adjusted suspension can generate defects; and incorrect firing can alter the final gloss, texture or strength.
Preparation of the body and the glaze itself
Before applying the glaze, the ceramic body must be in the right condition. The surface requires stability, cleanliness, controlled moisture and consistent absorption compatible with the application system.
If the body is not properly prepared, defects such as lack of adhesion, absorption differences, marks, irregularities, pinholes or coverage problems may appear.
The glaze also requires preparation. On an industrial line, it is not enough for the formula to be correct: the suspension must remain stable. Parameters such as density, viscosity, residue, temperature, sieving and agitation are decisive.
Variations in glaze application can cause colour differences, thickness changes or coating defects. Controlling viscosity and density helps to reduce these types of process issues.
On the factory floor, this translates into something very specific: fewer deviations, fewer stoppages and greater certainty in the result.
Main in-line application methods
In the ceramic industry, there are different methods for applying glazes, engobes, grits or decorations. The choice depends on the product type, the desired finish, the line speed and the final performance features.
Among the most common methods, we find spraying, bell or nozzle application, dry application, digital systems, rollers, airless booths and other systems adapted to specific needs.
Application techniques have evolved significantly in ceramic tile manufacturing, particularly due to the need to develop new aesthetic finishes and better surface performance. Qualicer 2023 specifically addressed the adaptation of inks and glazes to new ceramic glazing and decoration techniques.
Each method has its own logic. Spraying can be useful for certain layers or finishes. Digital application allows effects and decorations to be worked with high precision. Grits or micro-grits require systems that ensure regular distribution. And the bell remains a highly relevant technique when a continuous and homogenous application on industrial pieces is required.
Curtain glazing: advantages for industrial pieces
Curtain glazing in industrial ceramic pieces consists of passing the piece under a continuous curtain of glaze. The suspension falls regularly, covering the surface as the piece moves along the line.
This system can also be referred to as waterfall, nozzle, bell or waterfall application, depending on the technology used and the context. SACMI describes its curtain systems for ceramics as solutions for the waterfall application of glazes, engobes, transparent glazes (cristalinas) and micro-grits.
Its main advantage is the ability to generate a relatively homogenous and continuous layer, which is particularly valuable on industrial lines where repeatability is key.
In practical terms, curtain glazing can help when seeking uniform application, good coverage and stability in mass production. However, it also demands control: flow rate, viscosity, density, line speed, system cleanliness and curtain consistency are factors that must be kept within appropriate ranges.
When working well, the curtain brings fluidity to the process. When poorly adjusted, it can generate marks, thickness differences, bubbles, build-ups or surface defects.
That is why, as with almost everything in industrial ceramics, the key lies not just in the method. It is in the fine-tuning.
The importance of the firing and vitrification phase
Firing is the moment when the glaze fully develops its properties. During this phase, the components react, partially melt, integrate with the surface and generate the final layer.
Vitrification is the process that allows the glaze to acquire its definitive appearance and performance. Temperature, cycle, kiln atmosphere, body composition and interaction with the glaze all determine the outcome.
If firing is insufficient, the glaze may remain under-developed, resulting in a lack of gloss, low resistance or poor compaction. If it is excessive or not properly adjusted, deformations, bubbles, shade variations, loss of texture or stability problems may appear.
The firing phase does not “fix” a bad application, but it can enhance or ruin a good formulation.
Therefore, the glaze must be designed with the actual manufacturing process in mind. Not for an ideal scenario, but for the specific line where it will operate.
Criteria for choosing the right ceramic glaze for your product
Choosing a ceramic glaze should not start with the colour. It should start with the product.
Before choosing a ceramic glaze, it is advisable to review some key aspects.
1. Type of piece
Formulating for floor tiles is not the same as formulating for wall tiles. Floor tiles usually demand greater wear resistance, better surface behaviour and, in some cases, anti-slip properties. Wall tiles, on the other hand, may prioritise aesthetic richness, gloss, texture or visual depth.
2. Final use
Indoor, outdoor, wet areas, commercial spaces or high traffic. The context of use defines the level of technical requirement. A piece for a bathroom, a façade, a shop or a private home does not face the same type of wear or the same conditions of use.
3. Desired finish
Matt, gloss, satin, mineral texture, sugar effect, anti-slip finish or high-resistance surface. Each finish requires a specific formulation and application. Aesthetics are important, but they must be aligned with the expected behaviour.
4. Application method
The glaze must adapt to the glazing system: curtain, bell, spraying, digital application, grit application or other in-line methods. A glaze may have a suitable formulation but fail to work well if it does not respond to the actual application system.
5. Firing curve
Kiln temperature and cycle determine the development of the glaze. A good result depends on the formulation being designed for that actual process, with its specific times, atmosphere, body and conditions.
6. Production stability
The glaze must be reproducible regularly, batch after batch, avoiding shade variations, surface defects or application issues. In the industry, a good glaze is not one that works once, but one that maintains its behaviour consistently.
When these questions are properly answered, the glaze ceases to be a mere application material and becomes an industrial solution.